Johann Sebastian Bach: Verskil tussen weergawes
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<!--** [[w:Toccata and Fugue in D minor, BWV 565|Toccata and Fugue in D minor]]-->
* Nie Spruit moet sy naam wees nie, maar Oseaan.
** [[w:Ludwig van Beethoven|Ludwig van Beethoven]] <!--
*Bach is the immortal God of Harmony.
**Ludwig van Beethoven
* To Bach, notes were not just sounds but the very stuff of creation.
** [[Leonard Bernstein]], "Leonard Bernstein discusses material & structure in Bach's St. Matthew Passion," ''Bernstein Century - Bach: St. Matthew Passion / Nypo, Et Al'' (1999) (at 6:31)
* To be able to hear [[w:Johann Sebastian Bach|J. S. Bach]] take a melody and improvise what amounts to a spontaneous composition is the most amazing thing I can think of.
** [[Clare Fischer]], as quoted in [https://books.google.com/books?id=sF_us0l7xIwC&pg=PA237&dq=%22Clare+Fischer%22&hl=en&sa=X&ei=QZKfVf6qMILTggTLxpvwCg&ved=0CCwQ6AEwBTgK#v=onepage&q=%22Clare%20Fischer%22&f=false ''The Wow Factor: How to Create It, Inspire It & Achieve It: A Comprehensive Guide for Performers''] (2010) by Dr. Steve Zegree, pp. 237-238-->
* Een van die mees buitengewone dinge omtrent die mees buitengewone musikant in die geskiedenis, is die feit dat hierdie man se musiek wat vandag so 'n magiese aantrekkingskrag op ons uitoefen, en waarteen ons geneig is om die hoogtepunte in die kuns van musiek in die afgelope twee eeue op te weeg, dat hierdie musiek absoluut geen invloed op die musikante of die publiek van sy eie tyd uitgeoefen het nie. En die verbasende omtrent Bach is verder dat hy glad nie inpas by ons opvatting van die misverstane genie wat sy generasie jare vooruit was nie. Hy is inderdaad verkeerd verstaan, en dit nie omdat hy sy tyd vooruit was nie, maar eerder omdat hy volgens die musikale ingesteldheid van sy dag, geslagte daaragter was.
** [[w:Glenn Gould|Glenn Gould]] in [https://www.youtube.com/watch?v=crQ8YEUkUjg ''Glenn Gould on Bach''] (1962) <!--
*For Bach, it wasn't finality that mattered in music, it was simply the joyous essence of being.
** [[Glenn Gould]],
* The prerequisite of contrapuntal art, more conspicuous in the work of Bach than in that of any other composer, is an ability to conceive a priori of melodic identities which when transposed, inverted, made retrograde, or transformed rhythmically will yet exhibit, in conjunction with the original subject matter, some entirely new but completely harmonious profile.
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* I would vote for Bach, all of Bach, streamed out into space, over and over again. We would be bragging of course.
** [[Lewis Thomas]] in ''The Lives of a Cell: Notes of a Biology Watcher'', on what message to send to an extraterrestrial civilization.-->
*Bach open 'n uitsig op die heelal. Nadat hulle hom ervaar het, voel mense dat daar tog betekenis aan die lewe is.
**Helmut Walcha,
[[Kategorie:Musici]]
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